A Conversation with Krisztina Ujvari

Passion, precision, and the art of nails

International educator and renowned nail artist Krisztina Ujvari has built a reputation that extends far beyond her native Hungary. Her artistry, technical mastery, and teaching style have made her a sought-after figure at trainings and workshops around the world. In this exclusive interview, BrillBird speaks with Krisztina about her creative journey, the influence of her background, and her thoughts on artistry, innovation, and inspiration in the nail industry.

BrillBird: We are all familiar with your beautiful artwork and the masterpieces you create. Could you tell us how your journey with nails began?

Krisztina: I originally studied horticulture and pursued that career path after graduating from university. However, due to my financial situation, I had to stop. It was thanks to my twin sister, who was already working in the nail industry at that time, that I became involved in this field.

BrillBird: Now I understand where your inspiration for those beautiful floral designs comes from gardening. Was that experience useful? Does it help you visualise how petals and natural forms should be arranged?

Krisztina: Absolutely. I worked in a greenhouse with ornamental plants, and that experience allowed me to observe flowers closely and visualise them in detail. If I come across something I’m not familiar with, I research it and then try to replicate it as accurately as possible. I always aim to represent nature realistically in my work.

BrillBird: There are many techniques for painting flowers. Which one is your favourite? What do you enjoy working with most?

Krisztina: My favourite technique is one stroke, also known as one movement. I used to prefer working with acrylic paints, but these days there are so many great gels suitable for decorating that I tend to use them instead.

BrillBird: You mentioned your sister earlier, who inspired your passion. Do you collaborate or compete with each other?

Krisztina: We don’t compete. Before publishing our work, we often share it with each other for feedback and opinions. We both work in the same field, but we follow our own paths and accept invitations individually. It’s rare for us to be invited together, but we both respect each other’s work and independence.

BrillBird: Have you ever participated in nail art championships? I know you’re often invited as a jury member, but have you ever competed yourself?

Krisztina: I have never competed and don’t plan to. However, I did once participate as a model for my sister in the past. Nowadays, I’m usually invited as a judge because organisers recognise my knowledge and professionalism. I’m honoured by their trust, but I don’t intend to compete as a contestant in the future.

BrillBird: Your professionalism is clearly appreciated, you’re invited to conduct training sessions all over the world. Is there a particular country where the skill level stands out or where the organisation impresses you most?

Krisztina: That depends largely on the organiser, their personality, professionalism, and how they run the event. In general, I find that Europe is much better organised than South or North America. I personally prefer working in well-structured environments, so Europe suits me best.

BrillBird: You travel a lot. Is there a country you remember most fondly? Where do you feel most comfortable working? Are there noticeable differences between places?

Krisztina: I enjoy my work everywhere. I mainly conduct advanced courses, so my students are already skilled professionals. That makes teaching easier, as they quickly understand what I’m trying to explain. I wouldn’t say there’s a single country I’d always want to return to, it depends more on the group and the atmosphere. When the energy is good, I feel at home anywhere.

BrillBird: You’re one of the most recognised stylists in the world. Your designs are admired and frequently recreated on social media. Does it flatter you when others copy your work?

Krisztina: At first, it bothered me. But over time, I realised that being copied means I’ve achieved recognition and influence. Of course, there are two sides to it, creators like us carry the industry forward by constantly innovating, which is difficult, while others have it easier by replicating our work. Still, I now see it as a compliment.

BrillBird: Absolutely, no doubt about that. My last question: what advice would you give to people who want to create original designs instead of copying others? Is it a matter of talent, or can creativity be developed?

Krisztina: Copying is a valuable part of learning, practice truly makes perfect. By recreating others’ work, people naturally learn forms and techniques. Eventually, it becomes instinctive to create their own unique designs. Everyone starts by copying, so I don’t see it as a problem. It’s part of the journey toward originality.

BrillBird: Beautifully said. Thank you very much!

Closing Thoughts: Krisztina Ujvari’s approach to art and education embodies professionalism, humility, and a deep respect for craftsmanship. Her work continues to inspire nail artists around the world, a reminder that creativity grows from dedication, observation, and the courage to keep evolving.